Disco is for the industry. Vandall is for everyone making the music.
Disco.ac built a great catalog tool for sync teams and labels. But the producer at home with two collaborators isn't getting an approval. Vandall is built for the people in the session, not just the people in the office.
- Labels with a back-catalog
- Sync agencies pitching supervisors
- A producer with three friends
- An artist on a free tier
- Solo producers, free forever
- Bands sharing a rough mix
- Labels using the B2B dashboard
- Sync teams, on the same project
Disco wins on supervisor-pitch tooling — we're honest about it. Vandall's sync features land on the roadmap.
Three moments. Two outcomes.
The gap isn't a feature list — it's who shows up in the workflow.
A producer sharing a beat with two artists
Disco is gated for music industry professionals. Sign-up is review-based. The producer and the artists need to apply, get approved, and learn a label-style catalog UI before they can swap a single rough mix.
Sign up, drop the file, send the link. The producer is on the free tier in under a minute. Artists open the link with no login, comment on the waveform, and reply on the same surface.
Routing a track for sync — and getting feedback back
Strong at the catalog and pitch side: you can build curated playlists for supervisors and track who opened what. But cross-team feedback — producer + artist + manager arguing over a kick at 0:42 — happens somewhere else.
Same link a sync supervisor receives is the link the producer iterates on. Comments pin to the waveform. Versioning is scoped to the release. Pitch and production sit on the same project, not two tools.
Wrapping a release for delivery
Catalog metadata and rights live in label-shaped fields. Cover art, EPK, lyrics, splits — usually assembled outside Disco and emailed around the release week.
One release package. Audio, cover, lyrics, credits, splits, EPK — all on the same link. Built for the moment everything has to land together, not just the streaming stage.
Every feature, side by side
Honest table — Disco wins the catalog + supervisor rows, and we say so.
| Features | Disco.ac | Vandall |
|---|---|---|
| Audience & access | ||
Free tier | ||
Open sign-up (no approval gate) | ||
Built for solo creators | ||
Built for labels & sync teams | B2B dashboard | |
| Sharing | ||
No-login listening for reviewers | ||
Branded share pages | ||
Curated playlists for supervisors | Roadmap | |
Password-protected links | ||
| Feedback | ||
Comments pinned to waveform | Limited | |
Threaded replies per timestamp | ||
Cross-team thread (producer + label + artist) | ||
| Release | ||
Cover art bundled with audio | ||
Lyrics + credits attached | ||
EPK / one-sheet in the same link | ||
Metadata travels with the file | Catalog-style | |
| Rights | ||
Split sheet builder | ||
E-sign inside the project | ||
Contributor roles for credit | Industry-shaped | Producer / Artist / Writer / Featured |
| Analytics | ||
Listen-time per recipient | ||
Pitch / supervisor open tracking | Roadmap | |
Same link. Producer, artist, label.
Open a Vandall release and you're on the surface every contributor uses. Comments live with the audio. Splits live with the project. The label and the sync supervisor land on the same page as the people who made the track.
Open to the whole craft
No approval queue. A bedroom producer ships on the same surface as a label.
Feedback in the session
Threaded comments pinned to time, replies that survive the release.
A release, not a catalog row
Audio, cover, splits, EPK — bundled. Distributors and supervisors get the full picture.
Stop waiting on industry approval.
Free forever for solo creators. Paid plans start when your catalog does.