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Mechanical Licensing and the MLC

Mechanical royalties cover licensed reproduction of compositions. Learn how U.S. physical and digital mechanical licensing works, what The MLC does, and who should register.

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Vandall Team

Written for Vandall

Mechanical Licensing and the MLC

A mechanical royalty is compensation for licensed reproduction or distribution of a musical composition. In the United States, that can include physical copies, permanent downloads, limited downloads, and eligible interactive streams. The Mechanical Licensing Collective (The MLC) administers the U.S. blanket mechanical license used by eligible digital music providers; it does not collect every mechanical royalty worldwide.

The U.S. Copyright Office's Music Modernization overview explains the statutory system, while The MLC's membership guidance explains who should register directly and who may already be represented by a publisher, administrator, or collective.

What a mechanical is

Every song has two kinds of copyright:

  • Composition copyright, the songwriting. Owned by writers and publishers.
  • Recording copyright, the actual audio. Owned by artists or labels.

Mechanical royalties concern the composition side. In the U.S., section 115 provides compulsory licensing paths for certain physical and digital reproductions, while direct or voluntary licenses can also apply. The rate calculation depends on the use, service, and applicable Copyright Royalty Board rules, so a single percentage is not an accurate universal shortcut.

Why mechanicals are easy to miss

Performance and mechanical rights are distinct, and the collection path can differ:

  • Performance royalty → your PRO → you
  • Covered U.S. digital mechanical royalty → The MLC → the registered rightsholder or representative

A U.S. PRO registration does not by itself register self-administered shares with The MLC. Before creating an MLC membership, confirm whether a publisher, administrator, or CMO already registers and collects those shares for you.

The MLC (United States)

The Music Modernization Act created a blanket licensing system for covered U.S. digital uses, and the U.S. Copyright Office designated The MLC to administer it. The MLC receives usage reports and royalties from eligible digital music providers, maintains musical-work data, matches recordings to works and owners, and distributes matched royalties.

Key things to know:

  • Membership is free. Self-administered writers, publishers, administrators, and eligible CMOs can use the Member Hub.
  • The blanket is limited to eligible U.S. digital uses. Physical products, other licenses, and international collections are separate.
  • Accurate works and share data matters. The MLC uses registrations and reported recording data to match usage to the people or organizations entitled to payment.
  • Public search is available. Writers can inspect existing work data before creating or correcting a registration.

Self-administered writers entitled to collect U.S. digital mechanical royalties can register the shares they control. Writers represented for those shares should verify the publisher, administrator, or CMO path rather than creating a duplicate claim.

If you have a publishing admin

Many publishing administrators handle MLC registration for the shares they administer. Before registering directly, check whether your agreement already authorizes an administrator, publisher, or CMO to represent those shares.

Ways to check:

  1. Log into your admin dashboard, look for "Societies" or "Collectors" and confirm The MLC is listed.
  2. Search your works using The MLC's Public Work Search, then confirm who controls each listed share. A work appearing in search does not by itself prove your representative has claimed your share correctly.
  3. Ask your admin directly. They should be able to confirm in one email.

If you are self-administered and retain the right to register and collect your U.S. digital mechanical share, The MLC says you can become a Member and register that share directly.

Outside the US

The MLC blanket does not cover uses outside the United States. Other territories use local societies, CMOs, publishers, administrators, direct licenses, or combinations of them, and the scope differs by country and agreement.

Ask your publisher, administrator, or local CMO which mechanical rights it represents, in which territories, and for which uses. Do not assume that joining a performance-rights organization automatically covers every mechanical right.

What you need to register a work

For an accurate work registration, gather:

  • Title
  • Every writer with their IPI number
  • The share you control and the other known writer or publisher shares
  • Publisher or administrator information for each controlled share
  • ISRCs and titles for known sound recordings that embody the work
  • Available release and recording information

The MLC's database rules connect musical-work ownership and percentage shares with known recording identifiers such as ISRCs. Complete, consistent data makes matching and corrections easier.

Common mistakes

Assuming a U.S. PRO registration covers The MLC. PROs and The MLC administer different rights and registrations. Confirm each collection path.

Registering a share that your administrator already controls. Check the agreement and existing work data first so the same share is not claimed inconsistently.

Missing co-writer or share data. Incomplete ownership information can make matching, claims, and conflict resolution harder.

Ignoring existing data. Use The MLC's public tools to find works, review ownership information, and identify missing or partially claimed shares before submitting corrections.

What to do this quarter

  1. Check which shares and territories your publisher, administrator, or CMO already represents.
  2. Search your works and shares with The MLC's public tools.
  3. If you are self-administered for eligible U.S. digital mechanical royalties, create a free Member profile and register only the shares you control.
  4. Correct missing ownership or recording links with evidence and consistent identifiers.
  5. Confirm the mechanical collection path separately for physical products and territories outside the U.S.

Mechanical collection is a data and rights-administration task. Start with who controls each share, then make the registrations consistent across the organizations that represent it.


Score your full royalty setup in 5 minutes. The free Music Industry Readiness Check scores mechanical coverage alongside PRO membership, publishing admin, ISWC registration, and neighbouring rights, and tells you what to fix first. No signup required.

Frequently asked questions

What is a mechanical royalty?

A mechanical royalty is paid for licensed reproduction or distribution of a musical composition. In the United States, covered uses include physical copies, permanent downloads, limited downloads, and eligible interactive streams, although different licensing paths apply.

What does The MLC do?

The MLC administers the U.S. blanket mechanical license for eligible digital music providers, receives usage reports and royalties, matches recordings to musical works and owners, and distributes matched U.S. digital mechanical royalties.

Do I need to join The MLC if I have a publisher or administrator?

Usually not for shares that a publisher, administrator, or participating CMO already registers and collects for you. Check that relationship first. Self-administered writers who retain those rights can join The MLC and register the shares they control.

Does The MLC collect every kind of mechanical royalty worldwide?

No. The MLC's blanket license covers eligible U.S. digital uses. Physical products, downloads outside that blanket, and uses in other countries follow other licensing and collection paths. Check your publisher, administrator, CMO, or local mechanical-rights organization.

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